In Sodom and Gomorrah Proust's narrator not only depicts the class tensions of a changing France at the beginning of the twentieth century but also exposes the decadence of aristocratic Parisian society and muses upon the subjects of homosexuality and sexual jealousy.
Maggie vowed to never marry a man who can’t laugh or dance, but when she and the dull new doctor in town, Everett Dulanis, wind up spending the night together in an abandoned dugout house, all that changes. Her father is the best man and his shotgun is the bridesmaid at the wedding where a union has been made, but there’s certainly no unity. Everett was engaged to Carolina Prescott, a southern lady in...